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Maidens of Swiss metal Militia sizzle in live San Antonio debut

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Maidens of Swiss metal Militia sizzle in live San Antonio debut

A check of nearby flagpoles last Friday night appeared to portend another evening of serene inactivity outside.

Inside Fitzgerald’s, however, was a different story.

A gale force of power blew in from as far as Switzerland, courtesy of five maidens of metal known as Burning Witches, and as near as Austin and locally thanks to a grouping of bands that helped form the backbone of the South Texas Legion scene in the mid-’80s.

Featured attraction Burning Witches made their live San Antonio debut one to remember with a powerful 14-song, 75-minute set in the quaint “party hearty at McCarty” bar with San Antonio stalwarts Byfist, Austin veterans Militia and a rare appearance by local trio Grind.

And because it was their debut in the Alamo City, the Swiss witches were basically touring in support of, at least in North America, their entire five-album catalog and not just 2023 effort The Dark Tower.

Dutch vocalist Laura Guldemond, Swiss natives Romana Kalkuhl (founding member & guitarist), bassist Jeanine (Jay) Grob and drummer Lala Frischknecht and newest guitarist and lone American Courtney Cox — formerly of The Iron Maidens and Femme Fatale — came out flying on new opening track “Unleash the Beast” and 2020’s “Wings of Steel.”

No ballads and no fillers comprised the highly energetic performance (see all setlists in 55-photo gallery), and it continued on “Necronomicon” and ATM’s Facebook Live footage of “Lucid Nightmare” and “Evil Witch,” which were just samples of Cox’s scintillating shredding capabilities and featured Guldemond leaving the stage to join the audience on the former track.

Burning Witches is already working on its 2025 album, which included the release of new single “The Spell of the Skull” just three days prior to the concert. It marks the first song the band has worked on with Cox on guitar, although Burning Witches did not play it live or even mention it.

By the way: sign me up for a Cox-vs.-Nita Strauss guitar battle any day of the week.

Although Burning Witches has covered Savatage’s “Hall of the Mountain King,” Ozzy Osbourne’s “Shot in the Dark” and W.A.S.P.’s “I Wanna Be Somebody” on their two latest albums — and Dio’s “Holy Diver” going further back — none of those were offered up at Fitzgerald’s. That decision was very respectable given the whole inaugural San Antonio concert thingy and fans wanting to hear more of their own music. However, Frischknecht and Cox’s predecessor, Larissa Ernst, spoke about the Savatage cover and more exclusively with ATM in 2021 upon the release of The Witch of the North, which you can watch here.

Guldemond was also a terror — in a good, evil, demonic way — on one of Burning Witches’ heaviest tunes: the 2018 title track to Hexenhammer which was followed by new song “World on Fire,” both of which can be viewed below.

Guldemond, Grob and Kalhuhl in particular made themselves readily available to meet fans throughout the performances of the trio of Texas artists, and Guldemond’s personal website goes a step further. The singer offers to lend her vocal talents to other artists with the following message: “Yes, I also would love to help you out with vocals for your project. Just send me a message with a demo and lyrics and a plan if you have them at ‘contact.’ “

Go ahead. ATM will make it easier for you here.

The only downside of the group’s performance came via something not within its control.

An unfortunate occurrence at many Fitzgerald’s gigs is artists telling their fans they can barely see them, only hear them. (Grind said so as well in the middle of ATM’s Facebook Live clip of that band below).

Burning Witches’ performance may have been one of the first in which that scenario unfolded at the end of the set when the band simply requested to take a photo with the crowd. Guldemond asked twice to have the lights shined upon the patrons, but each inquiry was to no avail. As a result, no keepsake was taken for the group’s initial foray into the Alamo City, and it never should have come to that. But once again, ATM obliged regarding the ladies’ final bow in the photo gallery.

Byfist provided direct support with the usual hard-hitting crew of power vocalist Raul Garcia, lead guitarist Manny Santos, rhythm guitarist Nacho Vara, bassist Stony Grantham and drummer Scott Palmer.

Byfist has basically been playing the same set since 2020’s release of In the End, but it’s an entertaining show each time. Their 1989 EP Adrenaline was produced by the late Metal Church vocalist “Reverend” David Wayne, whose band Reverend included Vara until Wayne passed in 2005. Watch ATM’s Facebook Live footage of opening tracks “Left to Die” and “Universal Metal” and below on “Guaranteed Death” and “Mary Celeste.”

Why yes, that is an ATM photo under the “Born of Shredders” section of the band’s site.

Militia, on the other hand, doesn’t come around to San Antonio that often despite hailing from the nearby live music capital. Vocalist Mike Soliz, guitarist Tony Smith, band founder and bassist Robert Willingham and drummer Chip Alexander formed the impetus of the hard-hitting group in the mid-’80s, which recently added guitarist Phillip Patterson.

Although they were inactive for many years, Soliz made an appearance in 2018 at Fitzgerald’s when the South Texas Legion brotherhood of metal that included mainstays such as Jason McMaster, James Rivera, Bobby and Ron Jarzombek, Art Villareal, Pete Perez and others united on the same stage for a memorable evening of Q&A, storytelling and rocking everyone’s hearts out. (ATM coverage here).

On this night, Militia delivered the goods on seven tracks including ATM’s Facebook Live footage of “Search for Steel” and “And the Gods Made War” plus below on “The Judas Dream” and “Salem Square.”

Soliz at one point apologized to the crowd for his voice being hoarse. But, seriously, the man’s pipes were in incredible form, and this opinion wasn’t the only one who felt that way as fans assured him they couldn’t even tell. That was further evidenced by the fact he screamed more than the other three vocalists on the bill combined — and nailed it every time.

However, the guitars were super loud, often drowning out Soliz’s chops unless you were at the barrier — but thankfully not resulting in anything near the Perry Farrell/Dave Navarro episode that occurred recently at a Jane’s Addiction concert over a similar situation.

Militia will shortly be marking a momentous occasion in the group’s history, as Nov. 30 marks the 40th anniversary of the famous “Slayer vs. Slayer” show at The Villa Fontana that included Militia as a support act for the Los Angeles Big 4 outfit and S.A. Slayer in 1984.

The trio of Grind began the Fitztivities (as the bar likes to often say) at 8 p.m. with a 30-minute set that delighted and made one wonder why the band doesn’t perform here more often. Guitarist Bob Perez may hold the key to that, as he spends the bulk of his musical time with Vara in Seance, while bassist Rudy Munoz may just need some nudging from his circle of friends to convince him there’s perhaps more of a demand to hear the band live than the band itself may think.

Judge for yourself below on “Who Do You Think You Are” and via ATM’s footage of “Pain” and “Surreal.”

Hopefully this initial viewing of Burning Witches in South Texas will serve as a warmup act. By the time the next album arrives, it wouldn’t be a stretch to have them perform with the likes of an Armored Saint, or even on Helloween’s 2026 North American 40th anniversary tour at a place such as Boeing Center at Tech Port or the Aztec Theatre.

So, local promoters, get on it. Let the witches set our world on fire once again. And give them a proper Kodak moment to remember.

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Udo's 'nightmare' of albums a dilemma fans have come to Accept

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Udo's 'nightmare' of albums a dilemma fans have come to Accept

When a stocky diminutive German with an unmistakably raspy metallic voice debuted in 1979, he likely couldn’t have imagined having 27 studio albums under his belt by the time 2024 rolled around.

Most vocalists would see that as a blessing. And, in reality, Udo Dirkschneider most likely does. But when it comes to selecting songs to play live these days, the original voice of Accept views it as something else.

“There’s too many albums,” the 72-year-old Dirkschneider told his fans last Saturday night at Fitzgerald’s. “It’s a nightmare, really.”

Udo’s dilemma is his followers’ gain. Especially on this night.

That’s because eight years after declaring he would no longer perform tracks from his Accept days, the original voice of that seminal band mixed in a trio of those classics as part of a 90-minute, 16-song set touring in support of 2023 album Touchdown.

And this latest visit, supported by New Jersey thrashers Midnite Hellion, Christian outfit KillDevil Theory from El Paso and local veterans S.A. Territories, came with a bonus: original Accept bassist Peter Baltes left his longtime band to reunite with Dirkschneider’s solo group, which includes the singer’s son Sven Dirkschneider on drums with Andrey Smirnov and Fabian Dee Dammers handling dual guitar duties.

Patrons at Fitzgerald’s could also feel fortunate to witness Udo and company on a couple of other levels: a) this visit was originally scheduled for last November at Rolling Oaks Mall’s Events Center, only to have visa and travel issues disrupt those plans. b) shortly after Saturday’s gig, the bands had to cancel the El Paso stop in KillDevil Theory’s hometown due to a promoter snafu, according to Dirkschneider’s social media pages.

So a sizable audience at Fitzgerald’s took in Dirkschneider taking the stage to new track “Isolation Man” followed by 1989 tune “Break the Rules” (ATM Facebook Live footage of both here). Udo would go on to play Accept track “Midnight Mover” and four Touchdown tunes in all before ending the night with a pair of 1987 classics from personal favorite Animal House — which Dirkschneider told Alamo True Metal in 2015 was supposed to be the next Accept studio album that turned into his first solo record after his departure — and putting the cherry on top with a pair of his best-known Accept offerings (ATM footage of all four songs below; setlist in 46-photo gallery).

On paper, having a thrash trio and a Christian band provide direct support wouldn’t appear to be a good fit on a Dirkschneider-led bill. But who doesn't appreciate an eclectic show?

Midnite Hellion’s second album Kingdom Immortal dropped two years ago, but the group was finally able to bring the tunes to the Alamo City, and it didn’t disappoint.

Founded by drummer Drew Rizzo and fronted by singer/bassist Rich Kubik (who sports a resemblance to Corey Taylor and the late Grim Reaper vocalist Steve Grimmett), Midnite Hellion brought the heaviness to the Fitz. The eight-song album was recorded in a six-day span, a tempo representative of the group’s hard-hitting sound, with producer Alex Perialas, who has worked with Overkill, Testament and Joe Bonamassa among others. Perialas is also known for having recorded S.O.D.’s Speak English Or Die in two days and mixing it on the third day while Anthrax was recording Spreading the Disease.

Check out ATM’s Facebook Live footage of “Phantomland” and “Cross the Line.” The former was inspired by Tom Petty’s “Refugee” and “thematically inspired by the original Nosferatu,” according to a press release.

KillDevil Theory didn’t hit the Fitzgerald’s audience over the head with Christian messages. In fact, the C word wasn’t mentioned at all. But the band, fronted by singer/keyboardist Deanna Crane with her husband Curtis Crane on guitar, her brother-in-law Phil Evans on bass and the intense Johnny Torres on drums did deliver some uplifting Rock N’ Roll that was both melodic and heavy. That was most exemplified on “As I Kneel,” which was highlighted by Curtis Crane’s guitar solo (watch here).

KillDevil Theory has three albums under its wings, with the latest being 2021’s Second Coming, highlighted by “Die Another Day.”

The Cranes’ formation of the band, and its sparking of Christian overtones, came about as a result of their daughter being born prematurely which resulted in the couple living with her in the hospital for her first nine months. They discovered Christ in the process, and the band is happy to report that their daughter is now doing well at age 15.

Not to be outdone was longtime local favorites S.A. Territories. Led as always by guitarist / vocalist Orrie V., the quartet took the stage at an early 7:15 p.m. (heck, Udo rocked from 10-11:30 p.m., one of the rare times a Saturday night gig at Fitzgerald’s didn’t end the following morning) and delighted the locals with a slew of tracks including “Promises”, “The Conquerors” and “Eternity,” the latter able to be seen here).

Orrie and his crew are true metal representatives of the San Antonio scene, and one of the things that makes them a joy to watch is that their style, while still being heavy at heart, can fit on virtually any bill supporting any type of national artist.

When Orrie isn’t on stage with his main act, he’s also singing nowadays in Iron Maiden tribute Seventh Son and has an ode to Frank Marino and Mahogany Rush as well.

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Watchtower reunion show resurrects legion of South Texas metal memories

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Watchtower reunion show resurrects legion of South Texas metal memories

The Sunset Strip in Hollywood had its hairday in the ‘80s. The New Wave of British Metal enjoyed its influx of influential bands that went on to carve their own niche in history.

San Antonio and South Texas? Well, the Heavy Metal Capital was building its scene during that same time frame with a horde of bands mostly unique to its geographical mecca.

South Texas metal four decades ago was comprised of artists filled with precocious teenagers and 20-somethings unleashing their brand of angst, riffs and high-pitched screams yearning to be heard by the world. As the NWOBHM and Los Angeles scenes exploded with legendary artists that produced album after album after album, a bulk of San Antonio’s early ‘80s artists put out an album or EP here and there before branching out into other projects.

Or coming to a halt altogether.

But that turn of events for artists such as Watchtower, Militia, Karion, Juggernaut, S.A. Slayer and Wicked Angel resulted in a more close-knit scene than those other two more famous factions could claim. That camaraderie has enabled many involved with those bands to reunite on occasion decades later and join forces to show they’ve still got it.

Collectively calling their all-star formation the South Texas Legion, the latest special occasion occurred Friday night at Fitzgerald’s for a $20 sold-out gig dubbed The Masters of Chaos highlighted by Watchtower’s first show with vocalist Jason McMaster in 19 years. Helstar vocalist James Rivera brought his James Rivera’s Metal Asylum bandmates to provide support and played a special set of classic Helstar tracks before spearheading the South Texas Legion jams. And Wicked Angel began the festivities with another riveting and fiery (literally) set.

First, Watchtower: The Austin-based progessive and technically refined metal act fronted by the Dangerous Toys, Broken Teeth, Ignitor and Evil United vocalist specializes in out-of-this-world time signature changes and unpredictable directions in its riffage courtesy of San Antonio guitarist Ron Jarzombek, bassist Doug Keyser and drummer Rick Colaluca.

Jarzombek and Keyser were a whirling dervish of musicians encircling McMaster around the stage frequently while playing a slew of songs from its lone two full-length albums: 1985’s Energetic Disassembly and 1989’s Control and Resistance (see setlist in 60-photo gallery).

Watch ATM’s Facebook Live footage of the first two songs Watchtower played on stage since 2004 — “Asylum” and “The Eldritch” — here.

McMaster joked after one song to Keyser and Jarzombek, “Why don’t you guys put a few more notes in that song? You probably need to add a thousand more notes to that one.” That’s because the duo’s technical mastery was on full display as if they had been playing together continuously the past 40 years. Further evidence can be seen below via ATM footage on the title track to Control and Resistance plus “The Fall of Reason” and “Tyrants in Distress.”

As if that wasn’t enough, Watchtower ended a set that lasted from 11:41 p.m.-1:07 a.m. by playing the first half of Rush’s 1975 epic tune “By-tor and the Snow Dog,” a complicated track Jarzombek can perform in his sleep largely due to his inclusion in Rush tribute band Exit Stage Left (ATM footage below).

The middle of the evening was set aside for James Rivera’s Metal Asylum transitioning into Rivera and Militia vocalist Mike Soliz bringing the South Texas Legion to fruition.

The South Texas Legion appeared five years ago on the same stage (ATM coverage here) for an evening that was half Q&A, half feelgood jam session.

This time, the entire night was concert oriented. Rivera’s Metal Asylum focused on a classic early ‘80s set of his Houston band Helstar backed by San Antonio’s Ozzy Espinoza and Craig Leach on guitars, Blood Moon frontman Michael Canales on bass and drummer Miguel Morales of Megadeth tribute Rust In Peace. Watch them in action via ATM Facebook Live footage of Helstar’s “The King Is Dead” and “Bitter End.”

Soliz helped the Metal Asylum end its set with Helstar’s “Run With the Pack,” a perfect segue into Soliz leading an onslaught of early South Texas metal brethren hitting the stage as South Texas Legion. But first, Soliz joked: “This is how I got in for free tonight to see Watchtower.”

And with that, it was time for Militia, Karion, S.A. Slayer and Juggernaut songs and personnel to take center stage. Guitarists Tony Smith, Scott Womack and Art Villareal, bassist Pete Perez and drummers Chip Alexander and Bobby Jarzombek teamed up to play Militia’s “Metal Axe,” Karion’s “Panzer” and Juggernaut’s “All Hallows Eve,” all of which can be viewed via ATM Facebook Live footage here.

There were several references to old-school venues such as The Cameo Theatre and Villa Fontana. The latter, of course, featured the Nov. 30, 1984, “Slayer vs. Slayer” gig of San Antonio Slayer and Los Angeles’ Slayer on the same stage when the thrash band that eventually became part of the Big 4 toured in support of its 1983 EP Haunting the Chapel. Former S.A. Slayer guitarist Villareal gave a shout-out to the late S.A. Slayer vocalist Steve Cooper as Rivera and Co. took the reins on “Final Holocaust” (ATM footage below).

S.A. Slayer was one of those bands that only released one full-length album and one EP. But its roster was a who’s-who of San Antonio metal including Villareal, Cooper, longtime and current Riot bassist Don Van Stavern, former Machine Head drummer Dave McClain, Ron Jarzombek replacing Villareal in 1984, guitarist Bob “Bob Dog” Catlin (who was part of the 2018 South Texas Legion at Fitzgerald’s) and one-time Fates Warning vocalist Chris Cronk. Van Stavern was unable to make Friday’s conglomeration of San Antonio metal because Riot is playing in Germany.

For those reading this outside of Texas wondering how San Antonio could be dubbed the Heavy Metal Capital given the aforementioned, more publicized, metal movements — it’s a combination of this storied San Antonio scene and the fact renowned late disc jockey Joe “The Godfather” Anthony gave numerous European, German and Canadian bands their first taste of American radio airplay in the late ‘70s and early ‘80s: Scorpions, Rush, Triumph, Killer Dwarfs, Judas Priest . . . the list goes on.

Wicked Angel’s 45-minute opening performance, meanwhile, set the tone splendidly for Fitzgerald’s filled house.

Vocalist Dave Caballero, guitarists Joseph Valdez and Roland Casias, bassist Raymond Castaneda and drummer Ernest Chavarria brought a slew of fans to their warm-up show two days prior. Technical difficulties and a damaged double-bass drum pedal threatened to spoil Friday’s party, but that was not an option for Wicked Angel.

Chavarria engulfed his set in flames as is the band’s traditional way of starting. Cloaked in his patented black robe, Caballero’s high-pitched vocals and melodies helped kick off “Legions of the Dead” and “Black Mass.”

Valdez began the mentions of the Cameo Theatre and other now-defunct San Antonio metal venues while introducing Wicked Angel’s version of “Breaking the Spell” (ATM footage below), originally done by San Antonio’s Wyzard.

Wyzard featured 18-and-19 year olds such as Gilbert “Buster” Grant on vocals, guitarist Mike Valenzuela, bassist John Alvarado and the late drummer Rene Cox. Alvarado was in attendance Friday, while Grant nowadays fronts Livin’ Dark Daze.

Barely getting a chance to digest Watchtower’s first onstage appearance in nearly two decades, McMaster mentioned he was about to get on a plane to Denver to perform with Dangerous Toys.

However, Watchtower is also headed to Germany on Oct. 7 before kicking off 2024 on Jan. 5 in its hometown of Austin’s Come And Take It Live (tickets here). McMaster plugged that show by saying, “Lots of cool air conditioning. No offense. I like sweaty shows.”

Many would-be concertgoers who slacked on buying tickets were left watching social media for footage rather than being at Fitzgerald’s live and in the flesh. And yes, there were some technical difficulties and lukewarm temperatures in the venue on another muggy 100-degree night — a dilemma that has plagued various San Antonio bars in the past when they’re hosting some of their biggest shows of the year.

But none of that could stifle San Antonians’ dedication to a 40th anniversary of sorts for a burgeoning host of South Texas metal mainstays.

The legion is alive and well. And its legacy will only continue to live on and grow in the heavy metal capital. And beyond.

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Kingdom Collapse sets stage for putting S.A. on map with riveting hometown show

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Kingdom Collapse sets stage for putting S.A. on map with riveting hometown show

As several San Antonio metal bands can attest, it’s extremely difficult to “make it” in their hometown, let alone nationally or abroad.

Upon A Burning Body and Nothing More are two of the recent few who have toured overseas. Others have worked tirelessly to land similar ventures, with The Heroine existing for approximately 15 years and Jessikill having played Rocklahoma on more than one occasion, including last month.

Kingdom Collapse appears to be the next Alamo City outfit poised to accept the challenge. The local quartet of vocalist Jonathan Norris, guitarist David Work, bassist Aaron Smith and drummer Elijah Santucci will be spending Veterans Day weekend this Saturday performing at the four-day Welcome To Rockville festival at Daytona International Speedway in Daytona Beach, FL. Their set will be livestreamed on Sirius Octane at 3:25 p.m. EST as they’ll be the lone San Antonio artist among the likes of Metallica, Disturbed, Slipknot, Rob Zombie, the reunited Mudvayne and many more (side note: Stone Temple Pilots pulled out today due to positive Covid-19 tests within their “organization”).

But first, Kingdom Collapse had more than a warmup show. The group finally was able to return to the stage in this pandemic era by headlining Fitzgerald’s last Saturday night along with area and local bands Broken Color, Blood Moon, Surge and Waves (see 38-photo slideshow below).

Despite taking the stage at approximately 15 minutes after midnight, Kingdom Collapse came out firing on all cylinders. Their energy and short-but-sweet heavy songs were the perfect combination for a scene that welcomed a kick in the ass as live gigs strive to become the norm again. Watch the group in action on their first three songs “Uprise,” “Staring Into Nothing” and “Bring Me Down” via ATM’s Facebook Live footage as well as two-song finale “Falling Beneath” and “Suffer” below. The latter marked the band’s first single and has amassed more than 5 million views on YouTube, while “Uprise” was Octane’s Most Played Song for two consecutive weeks in 2020.

Kingdom Collapse, a proud-to-be independent artist that signed this past May with booking agency Dynamic Talent International, sports a pair of members fans may recognize from another San Antonio band. Norris and Work were guitarists in The Taking, with Norris now taking the reins as the primary songwriter in Kingdom Collapse.

Broken Color, serving as direct support to Kingdom Collapse, was a uniquely different vocalist/drummer duo combining metal, rap and emo that humorously warned the audience, “We’re not like the other bands on this bill. Let’s just address the elephant in the room.” Curiously, the changeover between predecessor Blood Moon and Broken Color pushed things back about an extra 30 minutes for Kingdom Collapse’s set due to extended soundchecking for the guitar and bass only to have Broken Color bring out their two friends to play only one song — a cover of Audioslave’s “Like A Stone” (ATM Facebook Live footage here).

As energetic as Kingdom Collapse’s set was, Blood Moon proved to be the heaviest and hardest group on the bill. The San Antonio quartet, which just formed under the Blood Moon moniker in 2020, demonstrated it will be a force to be reckoned with the more exposure it gets by virtue of the more gigs the guys play. Check out ATM’s Facebook Live footage of them in action on “Totality” and “Psycho” here as well as on “Here to Stay” below.

Vocalist/bassist Michael Canales, lead and rhythm guitarist Nicholas Ramos, lead guitarist Mike Dean and drummer Joel Valdez have all carved their niche in various original bands and tribute acts such as Maiden Killers, Brave New World, Lamb Of God tribute Laid To Rest and cover outfit Chill Factor.

Surge, out of Uvalde, Texas, and fronted by Kat Jacksin, rocked hard on a few originals and a cover of Krokus’ “Eat the Rich” (ATM Facebook Live footage here). Along with guitarist Dan Martini, bassist Erikk Lee and drummer Guss Locke, Surge is ready to unleash its debut album sometime next year. In the meantime, their Sunset Strip look and sound got things cooking on this night and, like Blood Moon, their energetic set was kind of like Frito Lay’s — you can’t have just one. So here’s hoping they’ll get to return to town soon and turn their music on to even more fans whether it’s at Fitzgerald’s or somewhere else.

The evening kicked off with teenage band Waves out of New Braunfels playing a mix of originals and covers. A.O. River, which was supposed to take the stage at 1 a.m. as a post-headliner act, did not make it to the bar after being involved in a car accident but was reportedly doing fine.

Kingdom Collapse’s ability to shine this weekend in the Sunshine State should go a long way toward returning the Alamo City to the national metal map as well as doing wonders and paving the way for further opportunities for the band. Already endorsed by Sirius Octane, Jose Mangin and its Kingdom Collapse Army on social media, the sky’s the limit for a group whose kingdom appears to be doing everything but collapsing. And whose outlook is “Unbreakable.”

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