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#Sevendust

Connections come to life as trio of mainstays rocks Boeing Center

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Connections come to life as trio of mainstays rocks Boeing Center

The longstanding friendships, musical similarities and collaborative connections between and among the trifecta of bands that rocked the Boeing Center At Tech Port on Sunday night were so abundant, it would’ve been easy to get so caught up in them that the performances became secondary.

OK, let’s be honest. Most in attendance were fixated on what was happening on stage. And with good reason.

Alter Bridge was headlining in support of last October’s seventh studio album Pawns & Kings. Sevendust was the middle band after releasing Truth Killer just four weeks earlier. Then there was Mammoth WVH, the concoction of Wolfgang Van Halen, opening up the evening in support of their sophomore album Mammoth II released only 16 days before the show and serving as their final night touring with the two veteran bands.

A crowd of approximately 1,500 in the 3,100 capacity Boeing would normally be considered a disappointing turnout. But those on hand chose this trifecta over some of metal’s heavyweights. After all, Pantera was headlining the Germania Insurance Amphitheater in Austin, while Metallica was on its second night in Arlington and being broadcast in movie theaters. For those so inclined, Trapt was headlining The Rec Room with local and tribute acts to boot.

So while all three bands delivered the goods for those concentrating on the music, some of the obvious, and not so obvious, degrees of separation on stage couldn’t help but not go unnoticed. At least by Alamo True Metal.

Such as (take a deep breath . . . ):

Wolfgang Van Halen played bass in Van Halen from 2008 until his legendary father’s death in 2020 with, of course, David Lee Roth as vocalist. Roth covered on 1986 solo album Eat ‘Em and Smile a cover song made famous by Frank Sinatra: “That’s Life.” . . . Alter Bridge guitarist Mark Tremonti released last year Mark Tremonti Sings Frank Sinatra, which includes his version of that tune, and he spoke about the album with ATM here. . . . Wolfie and his Mammoth WVH drummer Garrett Whitlock each spent time in Tremonti’s solo band Tremonti Project . . . Wolfie performed bass on the solo album of Sevendust guitarist Clint Lowery. . . . Tremonti and Alter Bridge frontman Myles Kennedy appear on Sevendust’s Chapter VII: Hope & Sorrow, the former on “Hope” and the latter on “Sorrow.” . . . Tremonti also once shared with ATM that due to his friendship with a young Wolfie, he was invited to the 5150 Van Halen studio and was one of the first persons to hear Van Halen’s last studio album A Different Kind of Truth prior to its 2012 release.

You may exhale now.

There’s not much to be said about Alter Bridge and Sevendust that hasn’t been said in this space over the years, having covered many of their San Antonio visits. Both bands keep getting better and bringing it on each subsequent tour.

Sevendust was particularly loaded with energy as vocalist Lajon Witherspoon, guitarists John Connolly and Lowery, bassist Vince Hornsby and drummer Morgan Rose opened with traditional closer “Face to Face,” melting the faces of those up front in the process. The energy was so palpable, yours truly wiped out in the photo pit (albeit on a wet spot that was quickly mopped up by security). Watch the band in action via ATM’s Facebook Live footage of new track “Fence” and 2003 tune “Disgrace” here (no professional video was allowed of either artist; see setlist in 71-photo gallery).

Alter Bridge opened with new track “Silver Tongue” before rocking into older songs “Addicted to Pain” and “Ghosts of Days Gone By” (see setlist in photo gallery). Kennedy even acknowledged the preceding bands were tough acts to follow (not something most headliners would admit regardless of the openers), forcing Alter Bridge to step up its game every night.

Truthfully, Alter Bridge did that during the rocking tunes, but some of their mandatory songs to be played live are of the acoustic variety, such as “In Loving Memory” and “Watch Over You.”

But Alter Bridge dusted off debut-album track “Broken Wings” to go with One Day Remains mainstays such as “Metalingus.” Watch them in action via ATM Facebook Live footage of new tune “Sin After Sin” and first-album track “Burn It Down” here plus “Come to Life” and new song “Fable of the Silent Son” here. Listen to prior ATM interviews with Kennedy and drummer Scott Phillips here and here.

Alter Bridge was scheduled to end with traditional closer “Rise Today” by 11:05 p.m., but an 11 p.m. Sunday night curfew forced them to omit the track and end the show with “Open Your Eyes.” Then the quartet took a bow with picks being tossed and Phillips autographing items for fans up front (see photo gallery).

Due to their freshness as a band, Mammoth WVH was arguably the most intriguing artist to check out. Kennedy and Witherspoon each told their respective audiences that even though it was bittersweet to bid farewell to Mammoth on this night from the tour, they couldn’t be prouder of the fact Wolfie’s crew was about to embark on a trek with the aforementioned mighty Metallica.

If anyone showed up to the Boeing Center expecting WVH to wail on some riffs like his legendary father or to mention him by name after every other song, they would’ve been disappointed.

Wolfgang is respectfully doing his own thing. He played all of the instruments on the band’s self-titled debut album and is his band’s vocalist/guitarist. Along with Galveston native and guitarist Jon Jourdan, guitarist Frank Sidoris, bassist Ronnie Ficcaro and Whitlock on drums, Mammoth can be seen in action via ATM Facebook Live footage of “Distance” and “You’re To Blame.”

Wolfgang could’ve introduced the former with a lengthy diatribe about his father, and it all would’ve been justified. Instead, the more-than-budding musician deserves mad props for allowing the audience to listen to the lyrics carefully in a live setting and letting the music speak for itself.

Which is what Rock N’ Roll boils down to in the first place. And these three artists proved they’re as good as it gets to doing that — even when they don’t have much to prove anymore at all.

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Sevendust honors 'Animosity'; Tetrarch makes its mark at Aztec

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Sevendust honors 'Animosity'; Tetrarch makes its mark at Aztec

Throughout their various visits to San Antonio over the years, Sevendust has delivered the goods as one of rock and metal’s most consistent live acts. Last Monday’s visit to the Aztec Theatre was similar . . . and different.

Similar in that Sevendust once again put on its stellar rockin’ show to an appreciative crowd. Slightly different in that this time, the Atlanta natives played an album in its entirety and brought along another Atlanta band that arguably stole the show.

Sevendust marched through 2001 album Animosity, playing it in full while changing the order of the songs a bit. Lajon Witherspoon belted out his stellar vocals, guitarists John Connolly and Clint Lowery provided the riffage, bassist Vince Hornsby handed out picks as if they were going out of style, and drummer Morgan Rose brought the intensity particularly on tracks such as “T.O.A.B. (Tits on a Boar),” “Praise” and “Crucified.”

No professional or Facebook Live video from professional photographers was allowed during the headliners’ set, but you can still access a taste of the bands, which also featured openers Dead Poet Society, in action via the 44-photo slideshow below.

Surprisingly, Sevendust appeared to utilize more recorded backing tracks for its vocals than ever before, particularly for Rose’s contributions. That was especially evident during the three encores of non-Animosity tracks “Bitch,” “Blood From a Stone” and traditional closer “Face to Face.” The latter is largely defined by Rose’s voice, particularly on the angst-ridden line “Fuck me for the last time!” But on this night, a crew member was adjusting Rose’s headset during the song, yet the drummer’s voice still boomed throughout the Aztec.

Nevertheless, Sevendust’s highlights included Witherspoon’s interactions with the crowd. No surprise given that the singer has been known to get emotional with a San Antonio audience. It was at the 2015 Fiesta Oyster Bake where he announced that after a 3-year attempt to become a parent, his wife had texted him prior to the show that she was pregnant, saying “I just felt I had to share that” before smiling and joking with the crowd, “Don’t tell nobody.”

At this show, Witherspoon was close to turning on the waterworks again while describing how fortunate he and the band felt playing a 20-year album in its entirety before a crowd that cared enough to hear it, especially after a global pandemic. The next moment, he turned serious when dedicating “Angel’s Son” to “all the beautiful people of Ukraine.”

Later, Witherspoon garnered a few laughs when he brought up Sevendust’s history with the Alamo City.

“Was there a place called the White Rabbit?” Witherspoon asked. Then, holding his fingers a couple inches apart, he said, “It was like, this big, and there was a Mexican restaurant across the street. The promoter was a bit shady, but he was cool. We have a lot of great memories, San Antonio!”

But not as many fans heard the banter as would normally have been the case for a Sevendust show. A portion of the Aztec’s first-level railing areas were not completely filled, and the balcony was roughly 50 percent empty for a couple of reasons:

  • Monday nights are the worst day for a concert

  • San Antonians had grown accustomed to the Aztec Theatre requiring proof of Covid-19 vaccination. Although that ended up being rescinded on this night with the virus situation improving everywhere, fans wouldn’t have known that would be the case until they were about to have their tickets scanned. Of course, they would’ve had to show up in the first place for that to happen

No matter what part of the venue from which fans may have been watching, those who showed up early enough were rewarded by Tetrarch, easily the most energetic and passionately fueled band on the bill. Playing with a chip on his shoulder, vocalist / rhythm guitarist Josh Fore fired up the Aztec by encouraging fans to live out their dreams no matter what type of negativity they encounter. As an example, Fore told a “true story” about how Tetrarch had played at the Rock Box on its previous San Antonio visit “to one person in the crowd.” He also recounted how his band was often told it wasn’t heavy enough.

Tetarch has taken those attempted roadblocks and had the last laugh. Finally able to release debut full-length Unstable last year, Tetrarch has seen single I’m Not Right” crack the Mediabase Active Rock Top 30 as one of the record’s three Top 40 Active Rock Radio hits. Watch ATM’s footage of “You Never Listen” and “Unstable” below plus Facebook Live footage of finale “Oddity,” during which Fore encouraged fans to tell any of their friends who may have planned to only arrive in time for Sevendust what they missed out on.

In addition to bassist Ryan Lerner and drummer Ruban Limas, Tetrarch is proud of the fact, and rightfully so, that Diamond Lowe is the first African-American female lead guitarist to be featured in major magazine publications. So proud, in fact, Tetrarch sold a T-shirt solely dedicated to her that said as much on the back of it.

Now she and her band can add Alamo True Metal to that list. And Tetrarch is sure to see much more than one singular fan on the rest of its subsequent visits to the Alamo City.

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